Part A: Plush Concepts + Prototype
My plush night light designs are based on the concept of collectible display toys. As someone who loves to collect limited items and arrange them as part of my environment, I wanted to create pieces that go one step further than being simple plushes. By incorporating light, these toys are going to transform into ambient objects and illuminate a space at night while also standing as unique collectibles meant to be displayed and appreciated.
Through the prototyping process, I realized the importance of sewing practice and precision, as craftsmanship plays a key role in creating a polished and visually appealing final toy, and this week, I realized I do need a lot of practice.
i) “SPIKEY” + Prototype
I started this project with a sketch, inspired by my love for incorporating spikes into my designs. This led me to create a monster plush concept, which was a challenging first design to sew.

While sketching the LED circuit, I realized I had two options for placement. The first was to put the LEDs on the spikes, which would highlight the shape and form of the plush and would include 3 LEDs. The second option was to place them in the eyes (2 LED’s), giving the monster a more eerie and expressive vibe.

After completing my sketch, Jay suggested that I cut the fabric slightly outside the actual outline of the plush. I adjusted my drawing to include a wider outline before moving forward with the cutting process. Afterwards, Yennie helped me with the sewing, guiding me through the steps and showing me techniques that improved the overall construction of the plush.

With the guidance of my peers, Yennie and Jay, I was able to improve my sewing skills as they shared their techniques and supported me throughout the process. This collaboration not only strengthened the final outcome but also helped me grow my craftsmanship.

If I move forward with this design, I plan to adjust the proportions by making the plush a little wider than it is tall. I would also enlarge the spikes to make them more prominent, enhancing both the silhouette and the overall presence of the plush.
ii) “BLUSH” Plush
For my second design, I explored a more spherical head plush concept. I decided to place the LEDs behind the cheeks so that, the plush would have a subtle ‘blush effect’ when illuminated. I thought this would create a softer, more playful character while still integrating the lighting element as part of its personality.

If I move forward with this design, I would likely use a thin, soft fabric that can easily wrap around and form a spherical shape. This would help maintain the plush’s smooth, rounded appearance while allowing the LED ‘blush effect’ to shine through effectively.
iii) YETI
For my third design, which turned out to be the most complex of them all, I experimented with creating a simple yeti-inspired plush. To enhance its mythical appearance, I planned to place the LEDs on the face, giving the creature a glowing, otherworldly presence.

If I move forward with this design, I would likely incorporate a variety of materials, such as fur and different types of fabrics, to enhance the visual complexity of the plush. These materials would help emphasize the yeti’s character and make the lighting effect feel more magical.
Part B: LED Circuit
This week, I became much more comfortable using a soldering iron, thanks partly to Sinclair’s assignment. I really enjoyed assembling this small circuit, and it was exciting to see the LEDs come to life as I worked on it.

The first time I inserted the batteries, the LED didn’t light up. After resoldering the connections a second time, the connection was more secure, and the LED finally worked as intended.











































































